fresh from his outing on inkswel s hot shot sounds label, ex uk now melbourne based artist paradise box brings four freeform nu groove style excursions to echovolt, flipping the quintessential house acapella on reel nitty gritty into a burrell brothers style banger. the other tracks touch on virgo four, mr fingers and classic wbmx style hardware soul, making a virtue of idiosyncrasy and showcasing the fallibilities of the human touch. the whole ep harks back to an era where having limited means meant that loose and expressive soulful endeavor was pursued over high production values and rigid conformism.
erstmalige nachpressung seit der urspruenglichen lp vinyl veroeffentlichung im jahr 1986! turbo charged wurde von king jammy aka prince jammy produziert und gilt seit mitte der 80er als meilenstein des reggae & dancehall - hier finden sich die hits hog in a minty (ein update des mento traditionals auf dem tempo riddim), gimme some of your something, und down in the ghetto (auf dem satta riddim), rub a dub a kill you (auf dem rockfort rock riddim), plus amazing grace (auf dem java riddim). das leben des nitty gritty (bürgerlich: glen augustus holeness) war tragischerweise sehr kurz, er wurde 1991 in brooklyn, new york von seinem kollegen super cat in notwehr erschossen - aber dieses zeitlose album hat ihn unsterblich gemacht
this is legendary uk dj/producer/radio personality, mark ski s first producer-album! the title-track -catch-rec- as well as -nitty gritty- have been getting spins on shade45 from the likes of dj eclipse & dj premier. the album consists of 12 tracks of big drums, heavy rhymes and razor-sharp cuts, exploring the broad palette of hip-hop from the 90 s & beyond.
crimes of the future head to the other side of the world their first release from australia. paradise box is responsible for the killer reel nitty gritty on greece s highy repected echovolt records back in 2014 and in 2017 he joins the crimes of the future family with the hookup ep. two original cuts of fine and upliftying deep and tropical house music are joined by two very special cover versions like you have never heard before. an incredible ep working equaly as well in the club or on a sun kissed beach bar.
“rocks foe returns to black acre with new, eight-track project ‘fight the good? fight’ — a dark and conceptual record built around the notion of, according to rocks himself, “everything being an internal and external battle”. a powerful lyricist and complex story-teller, rocks’ sound combines hyper-fierce spitting with his own, abstract beat sketches. having released his impressive debut ep, ‘legion’, back in 2015 — a raw, self-produced grime-rap hybrid — he has since remained dormant to the outside world, bar a quick-fire feature on commodo’s ‘how what time’ lp in 2016.
after the big success of our first release on outils du connaisseur, we present the second strike, this time by afrilounge-member liapin. basila is his the first solo release, and all the more an impressive one: two deep and slamming house-tunes, basic but concurrently fond of nitty-gritty. according our outils philosophy these two tracks are genuine strippeddown house cuts for maximum floor impact. basila – a massive, slapping bass, rolling drums and shreds of guitar sounds are the dominating trademarks of this track. once the compelling groove catches you, the hypnotizing vocal in the break will inevitably bewitch you. this is one for both body and soul. black mamba features a bassline so corporal, you almost inclined to give it a social security number.
here it is!! the long awaited follow up to “the blackroom sessions”! once again botu delivers soothing, soulful vibes to lift your spirits!! experience the driving beats and sultry lead solo in “besame (kiss me)” as well as the dubby hard beats in “da real nitty gritty”!
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